PsychArtCult continues at Morbid Anatomy!
- Sunday, January 23, 2022
- 2:00 PM 3:30 PM EST
Time: 2 pm EST
Admission: $8 - Tickets HERE
This lecture will take place virtually, via Zoom. Ticket sales will end at 12 pm EST the day of the lecture. Attendees may request a video recording AFTER the lecture takes place by emailing proof of purchase to info.morbidanatomy@gmail.com. Video recordings are valid for 30 days after the date of the lecture.
Ticketholders: a link to the conference is sent out at 12:30 pm EST on the day of the event to the email used at checkout. Please add info.morbidanatomy@gmail.com to your contacts to ensure that the event link will not go to spam.
PLEASE NOTE: This lecture will be recorded and available for free for our Patreon members at $5/above. Become a Member HERE.
The Psychic Violence of Alfred Hitchcock: Cutting in Vertigo, Psycho, and The Birds
30-minute presentation by Dr. Todd McGowan
This talk will look at Hitchcock’s three late masterpieces—Vertigo, Psycho, and The Birds—in terms of how they implicate the spectator in the violence that they depict. Through an inventive use of editing, Hitchcock places the spectator in the position of the figure of violence and forces spectators to reckon with their own psychic investment in this violence.
Todd McGowan teaches theory and film at the University of Vermont. He is the author of many books, including The Real Gaze: Film Theory After Lacan (2007), The Impossible David Lynch (2007), The Fictional Christopher Nolan (2013), Enjoying What We Don’t Have: The Political Project of Psychoanalysis (2013), Contemporary Film Directors: Spike Lee (2014), Capitalism and Desire: The Psychic Cost of Free Markets (2016) and Universality and Identity Politics (2020).
Roman Polanski's Apartment Trilogy: Repulsion, Rosemary's Baby and The Tenant
30-minute presentation by Mary Wild
In Repulsion (1965), Rosemary's Baby (1968), and The Tenant (1976), Roman Polanski portrays fragmented psyches in claustrophobic spaces. What we encounter is an iconic triptych of psychological horror, with fear objects shifting from sexual intercourse, to pregnancy, and the blurring of gender identities.
This talk will focus on psychoanalytically interpreting Polanski's genre-defining 'apartment trilogy', unpacking the uncanny dimension of the home, and showing its influence on Darren Aronofsky's modern classic Black Swan (2010).
Mary Wild is the creator of the PROJECTIONS lecture series at Freud Museum London, applying psychoanalysis to film interpretation. Mary also co-hosts the Projections Podcast, and contributes to The Evolution of Horror Podcast.
The Psychoanalysis, Art & the Occult series of events, curated by Dr. Vanessa Sinclair and Carl Abrahamsson, is dedicated to exploring the intersections and integration of psychoanalytic theory, the creative arts, occult practices, and folk magic traditions. By inviting psychoanalysts, philosophers, artists, writers, and occult practitioners from a variety of theoretical orientations and worldviews to discuss their work, personal experiences, and areas of research interest with one another, dialogue is opened up between practitioners in fields of study that traditionally rarely engage with one another though often operate in similar and complementary ways.
Then on February 20th we have:
Experiences with Precognitive Dreams, Synchronicity and Notes on the Occult Influence of Derek Jarman: Part of the Psychoanalysis, Art and the Occult Series, with Gary Lachman and Carl Abrahamsson
- Sunday, February 20, 2022
- 2:00 PM 3:30 PM EST
Time: 2 pm EST
Admission: $8 - Tickets HERE
The Psychoanalysis, Art & the Occult series of events, curated by Dr. Vanessa Sinclair and Carl Abrahamsson, is dedicated to exploring the intersections and integration of psychoanalytic theory, the creative arts, occult practices, and folk magic traditions. By inviting psychoanalysts, philosophers, artists, writers, and occult practitioners from a variety of theoretical orientations and worldviews to discuss their work, personal experiences, and areas of research interest with one another, dialogue is opened up between practitioners in fields of study that traditionally rarely engage with one another though often operate in similar and complementary ways.
"Dreaming Ahead of Time: Experiences with Precognitive Dreams, Synchronicity and Coincidence”
Can we dream the future? Does time flow in only one direction? What is a 'meaningful coincidence'?
Gary Lachman, author of many books on consciousness, culture, and the western esoteric tradition (and former bassist for Blondie), has been recording his precognitive dreams for forty years – dreams, that is, in which bits and pieces of the future turn up "ahead of time." In his talk, based on his new book Dreaming Ahead of Time, Lachman will relate how he came to discover that he "dreams the future," and how this surprising ability is something we all share but are unaware that we do. Along the way, Lachman will look at the work of other "time haunted men," such as J.W. Dunne, J. B. Priestley, P.D. Ouspensky, C.G. Jung, Arthur Koestler, and others who, like himself, discovered that the "tick tick tock of the stately clock" – with apologies to Cole Porter – is not the only way in which that mysterious something we call "time" can be understood.
Gary Lachman is the author of many books about consciousness, culture, and the Western esoteric tradition, including The Return of Holy Russia, Dark Star Rising: Magick and Power in the Age of Trump, Lost Knowledge of the Imagination, and Beyond the Robot: The Life and Work of Colin Wilson. He writes for several journals in the US, UK, and Europe, lectures around the world and his work has been translated into more than a dozen languages. In a former life he was a founding member of the pop group Blondie and in 2006 was inducted into the Rock and Roll Hall of Fame. Before moving to London in 1996 and becoming a full time writer, Lachman studied philosophy, managed a metaphysical book shop, taught English literature, and was Science Writer for UCLA. He is an adjunct professor of Transformative Studies at the California Institute of Integral Studies. He can be reached at: http://garylachman.co.uk
"Tripping the Dark Light Fantastic – Notes on the occult influence of filmmaker Derek Jarman”
Watching Derek Jarman’s experimental film “In the Shadow of the Sun” for the first time in the early 1980s formatted my own aesthetic not only concerning cinema but also art in general. An important individuation key for me since then has been to continually evaluate Jarman's distinctly magical, alchemical approach (and its many ripple effects) as a conscious expression of, and connection to, occultural history and general occult experimentation. Meaning, what you are creating is not “only” art, but also a talismanic platform through which desires may or may not be processed. And that this approach is a living and thriving tradition; not just an odd intellectual occurrence in our own contemporary times.
Carl Abrahamsson is a Swedish author, specializing in Occulture and Magico-anthropology. His books include Resonances(2014), Occulture (2018), The Devil’s Footprint (2020), Sacred Intent (2020), Different People (2021), and Anton LaVey and the Church of Satan (2022). He is also the editor and publisher of the highly renowned anthologies in The Fenris Wolf series. https://www.carlabrahamsson.com
See you soon!
Vanessa
www.patreon.com/vanessa23carl
http://www.drvanessasinclair.net
http://www.renderingunconscious.org
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