Copy
View this email in your browser

Our Psychoanalysis, Art & the Occult series of events continues at Morbid Anatomy Museum online once a month on Sundays at 2PM NYC / 20 CET beginning November 21!
Visit: http://psychartcult.org

"The Face of Fear: Faces in Gothic Horror Films" with Icy Sedgwick and "How Weird is That?" with Dr. Kasper Opstrup: Part of Psychoanalysis, Art and the Occult, Live on Zoom 

Date: Sunday, November 21
Time: 2 pm EST
Part of the Psychoanalysis, Art & the Occult series of events, curated by Dr. Vanessa Sinclair and Carl Abrahamsson

“The Face of Fear: Faces in Gothic Horror Films” presented by Icy Sedgwick

“We didn’t need dialogue. We had faces!” So says Norma Desmond, played by Gloria Swanson, in the 1950 classic, Sunset Boulevard. Desmond’s issue with sound cinema is its privileging of the voice and language over the silent face and its myriad expressions. For an emotion-centered genre like horror, these expressions are crucial to conveying both the terror of the victim and the malice of the monster. Indeed, the face is the most individual feature of the body. It is our ability to recognise a face that makes it both terrifying and bewildering when the face is concealed. 

In this talk, we’ll explore the face in horror and Gothic films. We’ll examine why it’s so powerful as a site of expression and investigate its importance to the Gothic as a means of storytelling. We’ll pay a visit to the monsters and get up close to the distorted face. And no discussion of faces would be complete without a celebration of the mask, used to prevent identification, hide deformity, and even as a form of punishment.

Icy Sedgwick is working on a PhD exploring the representation of the haunted house in contemporary Hollywood horror films. She runs the Fabulous Folklore podcast, investigating European folklore and its appearances in popular culture. In case she tires of the research, Icy also writes dark fantasy and Gothic horror fiction.

“How Weird is That?” presented by  Dr. Kasper Opstrup

This talk will take a closer look at the tradition for weird fiction and the current revival of weird thought. Weird fiction has been called the genre of what could have been. From Robert W. Chambers’ The King in Yellow to the writings of William Burroughs, weird fictions have taken the form of a type of infectious stories that ultimately want to rearrange reality. Like occult literature, they want to make something happen.

Often, these types of fictions take place in a space of psychological liminality and, through examples like, for example, Timothy Leary’s and Robert Anton Wilson’s SMI²LE project, we will look upon some of the world-building and utopian aspects of the weird as well. Through dreams, visions, and revelations, it is a genre that wants to combine science and religion into a new system that problematizes not only easy distinctions between symbolism and surrealism on the one hand and pulp, horror and sci-fi on the other. 

The weird also problematizes and erodes the borders between fiction and reality. This gives it a unique potential to speculate about our contemporary situation of climate catastrophe, mental health issues and so-called post-truth politics.

Dr. Kasper Opstrup is a Copenhagen-based writer and researcher. Currently, he is connected to the Reina Sofia Museum in Madrid as a researcher while writing on a book about the 20th century’s myths of the future. His most recent publications are The Way Out (Minor Compositions, 2017) and the edited anthology Unexpected Encounters – Possible Futures (Antipyrine, 2019).  

The Psychoanalysis, Art & the Occult series of events, curated by Dr. Vanessa Sinclair and Carl Abrahamsson, is dedicated to exploring the intersections and integration of psychoanalytic theory, the creative arts, occult practices, and folk magic traditions. By inviting psychoanalysts, philosophers, artists, writers, and occult practitioners from a variety of theoretical orientations and worldviews to discuss their work, personal experiences, and areas of research interest with one another, dialogue is opened up between practitioners in fields of study that traditionally rarely engage with one another though often operate in similar and complementary ways. 


 

See you there!
 
Vanessa

https://www.patreon.com/vanessa23carl
http://psychartcult.org
http://www.drvanessasinclair.net
http://www.renderingunconscious.org
https://www.carlabrahamsson.com
https://store.trapart.net
https://highbrowlowlife.bandcamp.com
https://www.trapartfilm.com
 

 

One year with Patreon!

One year ago, Vanessa and I decided we’d give Patreon a try. Many of our friends were/are on Patreon, and taking into consideration how much we create and produce, we thought it could be fun to accumulate all of it in this new (for us) and fascinating place. And perhaps even get paid while doing it. Well, so far, so good!

Since our inception one year ago, we have apparently posted 273 times (including loads of unreleased music, films, poems, cut-ups, private photos, news, updates, general writings and more). Perhaps this is less than if you’d look at ten years of Facebook or Instagram, but still… The Patreon feed has a more distinct life of its own compared to the other giant black holes of social media narcissism.

Why? Because there is a little story here. A kind of very personal history writing. Intimate and uncensored. Genuine. As the messages are directed to our patrons (whom we regard as real friends, given the support angle) it definitely becomes a very personal sphere.

Sometimes it’s Vanessa and her cut-ups; sometimes it’s me and my rants. But most often it’s the two of us together, creating projects, products and happenings that may not be global smash hits but that certainly give our lives a whole lot of meaning. And we know that’s true for others (like yourself) too.

Facebook (and the others) is like digital quicksand. On its surface float a few desperate “likes” before the entire post sinks into dark oblivion. On our Patreon page, however, it’s just us and whatever we do, with no ephemeral suggestions from others about which events to go to, which films to to watch, or who had a birthday when, or which celebrity just died. And then, all those ads…

We like our Patreon environment, and we will build a stronger presence there during 2019, rather than allowing ourselves (and others) to get lost in space at the other social media platforms.

We’re going to have a lot of fun while doing it, so please join us if you will, and always keep in touch! Always a pleasure!

www.patreon.com/vanessa23carl


Thank you for being interested!

Carl, Stockholm, Jan 27th 2019

Relevant Social Media links (please feel free to spread them!):

www.patreon.com/vanessa23carl
www.carlabrahamsson.com
www.trapart.net
Trapart at eBay
www.trapartfilm.com
www.highbrow-lowlife.com
vimeo.com/user3979080/vod_pages
www.facebook.com/authorcarlabrahamsson
www.twitter.com/CaAbrahamsson
www.instagram.com/carl.abrahamsson

Twitter
Facebook
Website






This email was sent to <<Email Address>>
why did I get this?    unsubscribe from this list    update subscription preferences
Dr. Vanessa Sinclair · P.O. BOX 15 · Vimmerby 59821 · Sweden

Email Marketing Powered by Mailchimp